Thoughts On Drawing: When I wake, I draw.
It has often been said drawing is the core of art, the seed where ideas begin. Some call it a doodle, a sketch, a mind map, an observation, a note, writing. The academic approach is to learn how to create a believable three dimensional environment. Drawing is pre-verbal, primal. The language of drawing so clear and direct.
We can draw with pen and ink, a burnt stick, metal, graphite. Drawing as a way of processing ideas, a form of deep meditation, of switching intelligence. Drawing allows for the experimental, ethereal, spiritual, a voyage into the great unknown.
When drawing I have two primary sources; observational and internal. I bounce between the two. Observational drawing is demanding, we draw what we see - not as we want it but as it is - casting marks and dots of light - doing our best to capture a specific moment, before the lights and shadows change too dramatically. What emerges is our own voice, our own poetic intuition, but the scene is prescribed. This gathering of visual language finds its way into the internal drawings. Internal drawing is as vast a galaxy as observational, trusting intuition and tens of thousands hours of practice.
Illustrations are perhaps refined drawings, with more attention to contrast and graphic lines. There may be a prescribed literary or conceptual objective, or a random meeting. Eventually drawing and illustration merge, then divert again.
Building Your Drawing Collection
People seem to buy a work on first glance - it’s a very intuitive heart process. A work just speaks to you. Next on the list is price, does the work fall into your budget? Drawings tend to be much more affordable than paintings. Do you need to set up a payment plan? How will you store or display the work? When we buy a framed work, we are buying the frame as well, that can double the cost in some cases. I sell mostly unframed work unless the client asks otherwise. Unlike paintings most drawings bought directly from the artist are unframed, allowing for the client to frame the work in a way that corresponds to their interior design.
Preserving and collecting drawings is an affordable way to build your collection. When not on display they can easily be stored, and come in a variety of sizes. I include a Certificate of Authenticity with each work, insuring authorship in perpetuity.
11” x 15”
Pencil, Colored Pencil on Fabriano
$230. Unframed /Include Certificates of Authenticity
9” x 11.5”
Ink and Watercolor on Fabriano
$150. Unframed /include Certificates of Authenticity
9” x 12”
Graphite on Fabriano
$150. Unframed /Include Certificates of Authenticity
Set: Five Cards (3.75 x 5.5") 5 envelopes
11” x 17”
Graphite on Paper
$260. Unframed /Include Certificates of Authenticity
You can purchase these and many other works exclusively at: www.MichaelBSchwartz.com